Mohenjo-daro offers South Asia an opportunity to look backwards without dividing the past into national possessions, and to recognise that the region’s cultural memory is older and more interconnected than its modern inheritors.

What links these cases — Pakistan, Britain, India, the Netherlands — is not geography or faith, but backlash. ‘Honour’ is used as a pretext to kill not because women are obedient, but because they are not. It is activated when women seek education, choose partners, leave abusive homes, testify in public, or simply insist on being treated as…

The exhibition also sits in conversation with an earlier project co-curated by Hashmi and Walia, exploring the creative and political possibilities of South Asia through art and film. That curatorial lineage expands the meaning of this library project, situating it within a broader feminist and regional tradition of asking uncomfortable…